oil on canvas, 100 x 81 cm;
Signed and dated p.d.;
signed, dated and described on the reverse;
author's certificate enclosed
"Wroclaw XXVI" is a monumental study of the urban fabric, in which the artist - KLVZA - performs a radical deconstruction of historical architecture. The work is a manifesto of the author's current of Urban Cubism, where the city ceases to be a background and becomes a living, pulsating mechanism of geometry.
Key features of the painting:
Rigor Format F (0.8): The use of the classic "closed" aspect ratio gives the composition an inhuman density. The image does not "spill" to the sides; it is an architectural monolith that annexes the viewer's space.
KLVZA's characteristic "glass filters" and sharp putty cuts break up the building blocks into vectors of energy. The white lines of deconstruction here act as intellectual scaffolding, exposing the skeleton of the city.
The dense texture of the oil builds the sculptural weight of the canvas. The dominance of dark violets and blues, contrasted with the predatory pink and blue of the sky, gives the work a metaphysical and timeless character.
Signature KLVZA XXVI: The sharp, razor-sharp letter "V" in the signature and the Roman dating are the ultimate seal of quality and belonging of the work to a new, uncompromising era in Polish contemporary painting.
A painting dedicated to conscious collectors who seek strength, rigor and intellectual depth in art. It is a work that does not decorate an interior, but defines it, becoming its central structural point.
